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Résumé EDUCATION B.F.A. Parsons School of Design, New York, N.Y., 1980 Nova Scotia College of Art and Design, Halifax, Nova Scotia, 1978-1979 Santa Barbara City College, Santa Barbara, CA 1993 - 2000 SOLO EXHIBITIONS Journey Without Maps, 2000 Antioch University, Santa Barbara, CA Psyche and the Symbolic Universe, 1998 Veterans' Memorial Building, Santa Barbara, CA Data, Chaos and Reverence, 1996 France Warr Gallery, Santa Barbara, CA Mixed Metaphors and Circuitry, 1996 Faulkner West Gallery, Santa Barbara, CA Sticks and Stones, 1993 1993 / Santa Barbara, CA Faulkner West Gallery, Santa Barbara, CA, 1991 Green Dragon, Santa Barbara, CA, 1990 GROUP EXHIBITIONS & AWARDS (selected) Three Women, 2001 UCSB Women's Center Art Gallery The Other Side of Sameness, 2001 Women's Center Gallery, University of California, Santa Barbara, CA Small Images, 1996-2000 Atkins Gallery, Santa Barbara City College, Santa Barbara, CA Best of Show Award from judge Meg Linton, 2000 Award from judge Rebecca McGrew, 1998 Award from judge Peter Frank, 1996 Room With a View 2, 2000 Thirty Arlington Gallery, Santa Barbara, CA The Human Condition, 2000 The Fielding Institute, Santa Barbara, CA The Millennium Assemblage Show, 2000 Reynolds Gallery, Westmont College, Santa Barbara, CA Best of the Best, 1999 Santa Barbara County Invitational Show Seven Artists, 1998 Zoma Gallery, Santa Barbara, CA Day of the Dead National Invitational Exhibition, 1998 Fine Art Center En Taos, Taos, NM Significant Others, 1998 Santa Barbara Contemporary Arts Forum, Santa Barbara, CA Salon du Petit, 1998 Gallery 825, Los Angeles, CA Synesthesia, Nance Cole & Megan Kitchen, 1998 The Frameworks Gallery, Santa Barbara, CA Un Ange Passe, 1996-2000 Reynolds Gallery, Westmont College, Santa Barbara, CA Award from judge Jerrold Slattum, 1997 Santa Barbara Art Association Exhibitions, 1991-2000 Faulkner Gallery, Santa Barbara, CA Award from judge John Carlander, 2000 Award from judge Michael Arntz, 1999 Award from judge Martha Donelan, 1999 Award from judge Priscilla Bender Shore, 1998 Award from judge Marina Walker, 1997 Award from judge Evanie Lupinek, 1997 Santa Barbara Artwalk, 1996-2000 Santa Barbara Museum of Natural History, Santa Barbara, CA Award from judge Jill Vander Hoof, 1998 Objects, 1991-1993 Montecito, CA Paige Neuhauser Fine Art, 1992 Santa Barbara, CA PUBLICATIONS & REVIEWS (selected) The Independent Article by D. J. Palladino, March 30, 2000 Review by Lindsay Rust, January 20, 2000 Review by Rebecca Schoenkopf, May 21, 1998 Santa Barbara News Press Review by Joan Crowder, January 21, 2000 Review by Marina Walker, November 27, 1998 Review by Marina Walker, May 15, 1998 Swagazine Cover art and illustrations, Winter 2001 Tri-Mix Cover art and article, September 1996 Fully Alive Cover art and article, Summer 1991 Goleta Sun Review by Tisha Roth, February 14, 1991 PROFESSIONAL EXPERIENCE Juror for Abrams Art Award, 2001 University of California, Santa Barbara Picture This! Workshop Leader, 2000 Santa Barbara Contemporary Arts Forum Los Angeles Art Association, Member since 1998 Santa Barbara Art Association Member since 1991 Board of Directors, 1997-1999 Chair of Juror Selection Committee, 1996-1999 CRITICAL ACCLAIM "Megan Kitchen does it again, with another collection of intriguing, strangely existential yet spiritual assemblage works, compound images that manage to haunt the senses, tickle the synapses, and provoke indefinable longing..." -- The Independent "Kitchen has established herself as an artist with vision by using metaphor, found objects, and ready-made computer graphics. Her narrative and aesthetic motifs, empowered by her muse-cocktail of culture, spirituality and the archetypal feminine, steadily ripen, dialing her work in ever closer to a true representation of her inspiration." -- Marina Walker "Some of these pieces achieve an almost preternatural serenity and loveliness... Whatever it is, it isn’t art for art’s sake: bigger questions about meaning persist as you hang around a Kitchen assemblage." -- D. J. Palladino "These are beautiful pieces, endowed with provocative imagery - a satisfying melding of art and message." -- Joan Crowder "Make no mistake, the elements in Kitchen's collages are no ordinary 'found objects.' Exactingly delivered, clean and perfectly perfect, the individual units of substance that make up the work reveal a precise, analytical dreamer who mentally conjured the full resolution of these little jewel-like compositions long before she hunted down the parts to create them... With the delicate, sure hands of a seamstress or craftsperson, Kitchen has tapped into one of the most powerful actions of art. Her theaters play a worldly psychodrama that though surely personal, has been collectively formed... Kitchen's tiny stages offer entertainment for the mind and food for the soul. Greater than the sum of their parts, the complete body of work delivers something valuable beyond the issues it explores." -- Marina Walker "The soulful heart of the show is Kitchen. Many of her multimedia collages prettily express the personal changes brought about by the impersonal advance of time... It's a melancholy portrait of the fleeting nature of life." -- Lindsay Rust "Here Kitchen introduces some lovely new pieces (When the Lost Souls are Found) that seem to express an invigorated enlightenment. Kitchen's spirituality is of a contemplative, Jungian nature. Using technology as metaphor, she explores the labyrinthine passageways of metaphysics and human consciousness. These new pieces present a softened soulfulness..." -- Marina Walker |
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