m e g a n   k i t c h e n

Résumé


EDUCATION

B.F.A. Parsons School of Design, New York, N.Y., 1980
Nova Scotia College of Art and Design, Halifax, Nova Scotia, 1978-1979
Santa Barbara City College, Santa Barbara, CA 1993 - 2000



SOLO EXHIBITIONS

Journey Without Maps, 2000
Antioch University, Santa Barbara, CA

Psyche and the Symbolic Universe, 1998
Veterans' Memorial Building, Santa Barbara, CA

Data, Chaos and Reverence, 1996
France Warr Gallery, Santa Barbara, CA

Mixed Metaphors and Circuitry, 1996
Faulkner West Gallery, Santa Barbara, CA

Sticks and Stones, 1993
1993 / Santa Barbara, CA

Faulkner West Gallery, Santa Barbara, CA, 1991

Green Dragon, Santa Barbara, CA, 1990



GROUP EXHIBITIONS & AWARDS (selected)

Three Women, 2001
UCSB Women's Center Art Gallery

The Other Side of Sameness, 2001
Women's Center Gallery, University of California, Santa Barbara, CA

Small Images, 1996-2000
Atkins Gallery, Santa Barbara City College, Santa Barbara, CA
    Best of Show Award from judge Meg Linton, 2000
    Award from judge Rebecca McGrew, 1998
    Award from judge Peter Frank, 1996

Room With a View 2, 2000
Thirty Arlington Gallery, Santa Barbara, CA

The Human Condition, 2000
The Fielding Institute, Santa Barbara, CA

The Millennium Assemblage Show, 2000
Reynolds Gallery, Westmont College, Santa Barbara, CA

Best of the Best, 1999
Santa Barbara County Invitational Show

Seven Artists, 1998
Zoma Gallery, Santa Barbara, CA

Day of the Dead National Invitational Exhibition, 1998
Fine Art Center En Taos, Taos, NM

Significant Others, 1998
Santa Barbara Contemporary Arts Forum, Santa Barbara, CA

Salon du Petit, 1998
Gallery 825, Los Angeles, CA

Synesthesia, Nance Cole & Megan Kitchen, 1998
The Frameworks Gallery, Santa Barbara, CA

Un Ange Passe, 1996-2000
Reynolds Gallery, Westmont College, Santa Barbara, CA
    Award from judge Jerrold Slattum, 1997

Santa Barbara Art Association Exhibitions, 1991-2000
Faulkner Gallery, Santa Barbara, CA
    Award from judge John Carlander, 2000
    Award from judge Michael Arntz, 1999
    Award from judge Martha Donelan, 1999
    Award from judge Priscilla Bender Shore, 1998
    Award from judge Marina Walker, 1997
    Award from judge Evanie Lupinek, 1997

Santa Barbara Artwalk, 1996-2000
Santa Barbara Museum of Natural History, Santa Barbara, CA
    Award from judge Jill Vander Hoof, 1998

Objects, 1991-1993
Montecito, CA

Paige Neuhauser Fine Art, 1992
Santa Barbara, CA



PUBLICATIONS & REVIEWS (selected)

The Independent
    Article by D. J. Palladino, March 30, 2000
    Review by Lindsay Rust, January 20, 2000
    Review by Rebecca Schoenkopf, May 21, 1998

Santa Barbara News Press
    Review by Joan Crowder, January 21, 2000
    Review by Marina Walker, November 27, 1998
    Review by Marina Walker, May 15, 1998

Swagazine
Cover art and illustrations, Winter 2001

Tri-Mix
Cover art and article, September 1996

Fully Alive
Cover art and article, Summer 1991

Goleta Sun
Review by Tisha Roth, February 14, 1991



PROFESSIONAL EXPERIENCE

Juror for Abrams Art Award, 2001
University of California, Santa Barbara

Picture This! Workshop Leader, 2000
Santa Barbara Contemporary Arts Forum

Los Angeles Art Association, Member since 1998

Santa Barbara Art Association
    Member since 1991
    Board of Directors, 1997-1999
    Chair of Juror Selection Committee, 1996-1999



CRITICAL ACCLAIM

"Megan Kitchen does it again, with another collection of intriguing, strangely existential yet spiritual assemblage works, compound images that manage to haunt the senses, tickle the synapses, and provoke indefinable longing..."

-- The Independent
July 6, 2000


"Kitchen has established herself as an artist with vision by using metaphor, found objects, and ready-made computer graphics. Her narrative and aesthetic motifs, empowered by her muse-cocktail of culture, spirituality and the archetypal feminine, steadily ripen, dialing her work in ever closer to a true representation of her inspiration."

-- Marina Walker
Santa Barbara News Press
December 18, 1998


"Some of these pieces achieve an almost preternatural serenity and loveliness... Whatever it is, it isn’t art for art’s sake: bigger questions about meaning persist as you hang around a Kitchen assemblage."

-- D. J. Palladino
The Independent
March 20, 2000


"These are beautiful pieces, endowed with provocative imagery - a satisfying melding of art and message."

-- Joan Crowder
Santa Barbara News Press
January 21, 2000


"Make no mistake, the elements in Kitchen's collages are no ordinary 'found objects.' Exactingly delivered, clean and perfectly perfect, the individual units of substance that make up the work reveal a precise, analytical dreamer who mentally conjured the full resolution of these little jewel-like compositions long before she hunted down the parts to create them... With the delicate, sure hands of a seamstress or craftsperson, Kitchen has tapped into one of the most powerful actions of art. Her theaters play a worldly psychodrama that though surely personal, has been collectively formed... Kitchen's tiny stages offer entertainment for the mind and food for the soul. Greater than the sum of their parts, the complete body of work delivers something valuable beyond the issues it explores."

-- Marina Walker
The Independent
August 15, 1996


"The soulful heart of the show is Kitchen. Many of her multimedia collages prettily express the personal changes brought about by the impersonal advance of time... It's a melancholy portrait of the fleeting nature of life."

-- Lindsay Rust
The Independent
January 20, 2000


"Here Kitchen introduces some lovely new pieces (When the Lost Souls are Found) that seem to express an invigorated enlightenment. Kitchen's spirituality is of a contemplative, Jungian nature. Using technology as metaphor, she explores the labyrinthine passageways of metaphysics and human consciousness. These new pieces present a softened soulfulness..."

-- Marina Walker
Santa Barbara News Press
November 27, 1998




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